![]() ![]() However, this is fraught with contradiction: the position of the spectator feels godlike, as the world appears to exist to furnish their perception, yet they are necessarily fixed in one place, unlike an omniscient or truly all-powerful god. Essentially, this means that the whole world converges on the eye of the spectator who beholds a painting. This created the illusion of perspectival space, giving two-dimensional paintings and drawings the illusion of depth. What is the inherent contradiction in this idea? When and why did this convention begin to change?ĭuring the Renaissance, the belief developed that reality could be represented most faithfully by drawing the world as if it converged on a single point on the horizon. Explain the Renaissance idea of perspective. ![]()
0 Comments
Leave a Reply. |